Le STRING est entièrement expressif. Avec 87 jeux manuels et 27 jeux de Pédale, son timbre est inhabituellement riche et magnifique, produisant un immense et soyeux tapis de centaines d'instruments à cordes. Il est possible à l'organiste de créer des nuances, crescendos et decrescendos extraordinaires dans lesquels aucun palier n'est sensible, du plus pianissimo imaginable à un splendide et poignant fortissimo. Cette division flottante, avec du matériel Kimball, occupe la plus grande boîte expressive jamais construite (environ 20 m de long, 8 m de profondeur, 5 m de haut). Elle fut ajoutée en 1927-281. photo
16 | Violone | métal | 73 |
16 | Contra Gambe 1 | métal | 73 |
16 | Contra Gambe 2 | métal | 73 |
16 |
Contra Viol 1 |
métal | 73 |
16 |
Contra Viol 2 |
métal | 73 |
16 |
Viol 1 |
métal | 73 |
16 |
Viol 2 |
métal | 73 |
8 | Violon Diapason | métal | 73 |
8 |
Gamba |
métal | 73 |
8 |
Nazard Gamba II |
métal | 146 |
8 |
Nazard Gamba II (♯) |
métal | 146 |
8 |
Cello 1 |
métal | 73 |
8 | Cello 1 (♯) |
métal | 73 |
8 | Cello 1 (♭) |
métal | 73 |
8 | Cello 2 |
métal | 73 |
8 | Cello 2 (♯) |
métal | 73 |
8 | Cello 2 (♭) |
métal | 73 |
8 | Orchestral Violin 1 |
métal | 73 |
8 | Orchestral Violin 1 (♯) |
métal | 73 |
8 |
Orchestral Violin 1 (♭) |
métal | 73 |
8 |
Orchestral Violin 2 |
métal | 73 |
8 |
Orchestral Violin 2 (♯) |
métal | 73 |
8 |
Orchestral Violin 2 (♭) |
métal | 73 |
8 |
Orchestral Violin 3 |
métal | 73 |
8 |
Orchestral Violin 3 (♯) |
métal | 73 |
8 |
Orchestral Violin 3 (♭) |
métal | 73 |
8 |
Orchestral Violin 4 |
métal | 73 |
8 |
Orchestral Violin 4 (♯) |
métal | 73 |
8 |
Orchestral Violin 4 (♭) |
métal | 73 |
8 |
Orchestral Violin 5 |
métal | 73 |
8 |
Orchestral Violin 5 (♯) |
métal | 73 |
8 |
Orchestral Violin 5 (♭) |
métal | 73 |
8 |
Orchestral Violin 6 |
métal | 73 |
8 |
Orchestral Violin 6 (♯) |
métal | 73 |
8 |
Orchestral Violin 6 (♭) |
métal | 73 |
8 | Muted Violin 1 |
métal | 73 |
8 | Muted Violin 1 (♯) |
métal | 73 |
8 | Muted Violin 1 (♭) |
métal | 73 |
8 | Muted Violin 2 |
métal | 73 |
8 | Muted Violin 2 (♯) |
métal | 73 |
8 | Muted Violin 2 (♭) |
métal | 73 |
8 | Muted Violin 3 |
métal | 73 |
8 | Muted Violin 3 (♯) |
métal | 73 |
8 | Muted Violin 3 (♭) |
métal | 73 |
8 | Muted Violin 4 |
métal | 73 |
8 | Muted Violin 4 (♯) |
métal | 73 |
8 | Muted Violin 4 (♭) |
métal | 73 |
8 | Muted Violin 5 |
métal | 73 |
8 | Muted Violin 5 (♯) |
métal | 73 |
8 | Muted Violin 5 (♭) |
métal | 73 |
8 | Muted Violin 6 |
métal | 73 |
8 | Muted Violin 6 (♯) |
métal | 73 |
8 | Muted Violin 6 (♭) |
métal | 73 |
8 |
Dulciana 1 |
métal | 73 |
8 |
Dulciana 1 (♯) |
métal | 73 |
8 |
Dulciana 2 |
métal | 73 |
8 |
Dulciana 2 (♯) |
métal | 73 |
8 |
Dulciana 3 |
métal | 73 |
8 |
Dulciana 3 (♯) |
métal | 73 |
8 |
Dulciana 4 |
métal | 73 |
8 |
Dulciana 4 (♯) |
métal | 73 |
8 |
Dulciana 5 |
métal | 73 |
8 |
Dulciana 5 (♯) |
métal | 73 |
8 |
Dulciana 6 |
métal | 73 |
8 |
Dulciana 6 (♯) |
métal | 73 |
5 1/3 |
Quint Viol |
métal | 73 |
5 1/3 |
Quint Viol (♯) |
métal | 73 |
4 |
Orchestral Violin 1 |
métal | 73 |
4 |
Orchestral Violin 1 (♯) |
métal | 73 |
4 |
Orchestral Violin 2 |
métal | 73 |
4 |
Orchestral Violin 2 (♯) |
métal | 73 |
4 |
Octave Dulciana 1 |
métal | 73 |
4 |
Octave Dulciana 1 (♯) |
métal | 73 |
4 |
Octave Dulciana 2 |
métal | 73 |
4 |
Octave Dulciana 2 (♯) |
métal | 73 |
3 1/5 |
Tierce Viol |
métal | 61 |
3 1/5 |
Tierce Viol (♯) |
métal | 61 |
2 2/3 |
Nazard Viol |
métal | 73 |
2 2/3 |
Nazard Viol (♯) |
métal |
73 |
2 |
Super Violina |
métal |
73 |
2 |
Super Violina (♯) | métal | 73 |
V |
Dulciana Mutation (12.15.19.22.26) |
métal | 305 |
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STRING PEDAL |
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32 |
Contra Diaphone |
bois | 32 |
16 | Diaphone (ext) | | 12 |
8 | Diaphone (ext) | | 12 |
32 |
Contra Gamba |
métal | 32 |
16 |
Gamba (ext) |
| 12 |
8 |
Gamba (ext) |
| 12 |
16 | Violone 1 | bois | 32 |
8 | Violone 1 (ext) | | 12 |
16 | Violone 2 | métal | 32 |
8 | Violone 2 (ext) | | 12 |
4 | Violone 2 (ext) | | 12 |
16 |
Viol |
métal | 32 |
8 |
Viol (ext) |
| 12 |
16 |
Viol (#) |
métal | 32 |
8 |
Viol (#)(ext) |
| 12 |
XII |
Mixture 32' (Contra Diaphone 32 + suivants) |
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16 | Mutation Diaphone | métal | 32 |
16 |
Mutation Viol |
métal | 32 |
10 2/3 |
Mutation Viol |
métal | 32 |
8 |
Mutation Viol |
métal | 32 |
5 1/3 |
Mutation Viol |
métal | 32 |
4 |
Mutation Viol |
métal | 32 |
2 2/3 |
Mutation Viol |
métal | 32 |
2 |
Mutation Viol |
métal | 32 |
1 3/5 |
Mutation Viol |
métal | 32 |
1 1/3 |
Mutation Viol |
métal | 32 |
4/5 |
Mutation Viol |
métal | 32 |
| | | |
| Tremolo I | | |
| Tremolo II | | |
| String Pedal Tremolo Off | | |
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String to String 16 |
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String to Unisson off |
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String to String 4 |
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String to Solo 16 |
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String to Solo 8 |
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String to Solo 4 |
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String to Swell 16 |
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String to Swell 8 |
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String to Swell 4 |
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String to Great 16 |
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String to Great 8 |
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String to Great 4 |
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String to Choir 16 |
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String to Choir 8 |
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String to Choir 4 |
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String to Pedal 8 |
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String to Pedal 4 |
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Choir/String Pistons Transfert |
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String on Ethereal |
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String on Stentor |
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String on Solo |
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String on Swell |
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String on Great |
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String on Choir |
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String to Ethereal Expression |
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String to Stentor Expression |
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String to Solo Expression |
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String to Swell Expression |
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String to Great Expression |
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String to Choir Expression |
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String off Crescendo |
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Celli Silent |
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Celli on Choir |
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Celli on Great |
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Orchestral Violons Silent |
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Celestes Silent |
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Celli to Celli 16 |
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121 rangs 6992 tuyaux 12 combinaisons ajustables 7 réservoirs 32 sommiers pression : de 380 à 680 mm
Notes :
1. Dates estimées par le fils de G.W. Till, Wilbert.
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