
The PERCUSSIONS operate on pneumatic, vacuum and electric action. These stops are all floatting and can be coupled to any manuals separately.
The Major Chimes are usually referred to as "tower chimes" because they were especially made for outdoor tower-chime playing. The largest chime of this set, Note C, is twelve feet long, five inches in diameter, and weighs 600 pounds. It is struck by a leather-topped hammer four inches in diameter, the stroke of which is nine inches. It weighs eighteen pounds and has an impact of seventy-two pounds of pneumatic pressure. A ses côtés se trouve le
Célesta Mustel.
Une véritable harpe était installée dans l'Echo, mais dut être enlevée pour les problèmes d'accords ! Elle est aujourd'hui remplacée par un xylophone (souvent appelé harpe, notamment dans les orgues de cinéma)
Les autres percussions se trouvent juste derrière la façade, parmi lesquelles the first piano (piano droit, vaccum action) ever installed in a organ. The Minor Chimes (J.C. Deagan, 1959) remplacent celles d'origine vraisemblablement frappées par un maillet en hêtre.
En 1959 est aussi ajoutée une série de gongs, provenant d'un orgue de cinéma.
La Cymbale est un ajout récent, cadeau de Lyn Larsen, célèbre organiste de cinéma. Elle est actionnée par champignon, 2 marteaux frappent alternativement la cymbale tant que le pied est dessus.
Major Chimes | à l'ut 2 | 37 tubes |
| Major Chimes Sustain | |
| Major Chimes on Pedal | |
| Major Chimes on Stentor | |
| Major Chimes on Ethereal | |
| Major Chimes on Solo | |
| Major Chimes on Swell | |
| Major Chimes on Great | |
| Major Chimes on Choir | |
| Major Chimes Unisson off | |
| Major Chimes 4' | |
Minor Chimes | au sol 2 | 25 tubes |
| Minor Chimes on Pedal | |
| Minor Chimes on Stentor | |
| Minor Chimes on Ethereal | |
| Minor Chimes on Solo | |
| Minor Chimes on Swell | |
| Minor Chimes on Great | |
| Minor Chimes on Choir | |
Metalophone |
à l'ut 2 | 49 lames |
|
Metalophone on Stentor |
|
|
Metalophone on Ethereal |
|
|
Metalophone on Solo |
|
|
Metalophone on Swell |
|
|
Metalophone on Great |
|
|
Metalophone on Choir |
|
Célesta Mustel | à l'ut 2 | 49 notes |
| Célesta on Stentor | |
| Célesta on Ethereal | |
| Célesta on Solo | |
| Célesta on Swell | |
| Célesta on Great | |
| Célesta on Choir | |
| Célesta Unisson off | |
| Célesta 4' | |
Gongs | à l'ut 2 | 49 cuivres |
| Gongs on Stentor | |
| Gongs on Ethereal | |
| Gongs on Solo | |
| Gongs on Swell | |
| Gongs on Great | |
| Gongs on Choir | |
Piano II | | 88 notes |
| Piano II Sustain | |
amplified, expressive |
Piano II 16' | |
| Piano II Unisson off | |
| Piano II 4' | |
| Piano II on Stentor | |
| Piano II on Ethereal | |
| Piano II on Solo | |
| Piano II on Swell | |
| Piano II on Great | |
| Piano II on Choir | |
| Piano II on Pedal | |
Piano I |
not installed |
|
| Piano I Sustain | |
| Piano I 16' | |
| Piano I Unisson off | |
| Piano I 4' | |
| Piano I on Stentor | |
| Piano I on Ethereal | |
| Piano I on Solo | |
| Piano I on Swell | |
| Piano I on Great | |
| Piano I on Choir | |
Harpe I | à l'ut 2 | 49 lames |
| Harpe I Sustain | |
expressive |
Harpe I Unisson off | |
| Harpe I 4' | |
| Harpe I on Stentor | |
| Harpe I on Ethereal | |
| Harpe I on Solo | |
| Harpe I on Swell | |
| Harpe I on Great | |
| Harpe I on Choir | |
Harpe II |
not installed |
|
| Harpe II Sustain |
|
| Harpe II 16' |
|
| Harpe II Unisson off |
|
| Harpe II 4' |
|
| Harpe II on Stentor |
|
| Harpe II on Ethereal |
|
| Harpe II on Solo |
|
| Harpe II on Swell |
|
| Harpe II on Great |
|
| Harpe II on Choir |
|
Cymbal crescendo | | |
|
Roll cymbal on piston 44 | |
| | |
|
Percussion to Great Expression |
|
|